Sunday, September 23, 2007

Toshiko Takaezu Ceramics Studio

SOME OF TOSHIKO TAKEZU'S CERAMIC SCULPTURE
BEAUTIFUL PIECE BY CERAMIC STUDIO MANAGER, JOHN BADE, A VERY TALENTED AND DEDICATED ARTISTCERAMIC ART FROM LOCAL ARTISTS

To view more of Kenny Kicklighter's work click on link http://www.cedarstreetgalleries.com/bin/works.cgi?Artist=KicklighterKenny







Toshiko Takaezu



It has been said that Toshiko Takaezu may have been the first potter to successfully close a pot. This seminal decision removed her work and ceramics as a whole, from the realm of craft and functionality, to that of fine art. Her closed, vertical vessels have become her hallmark. Continually drawing inspiration from the natural world and a combination of Eastern and Western techniques and aesthetics, Takaezu has crafted a signature vocabulary of ceramic forms. For the most part, her earlier works are wheel thrown, but as she began to envision larger forms, she incorporated hand built techniques in order to transcend the restrictions of the wheel. Her painterly application of glazes acts as a dynamic, visual counterpoint to her meticulously crafted shapes. In regards to her affinity for the clay medium, the artist asserts, "One of the best things about clay is that I can be completely free and honest with it. And clay responds to me. The clay is alive and even when it is dry, it is still breathing! I can feel the response in my hands, and I don't have to force the clay. The whole process is an interplay between the clay and myself and often the clay has much to say." (1)

HAWAII BORN, WORLD RENOWNED CERAMICIST TOSHIKO TAKAEZU.


YWCA BUILDING, RICHARDS STREET, HONOLULU



LOCATED AT THE YWCA LANIAKEA, DOWNTOWN HONOLULU

Wednesday, July 25, 2007

Ocean Influenced............................

Mother Nature rules when it comes to Design



















Coral


Beautiful Sea Urchin

Wednesday, June 20, 2007

Georgia O'Keefe and Hawaii









The late 1930s were a time of great change and upheaval in the life of Georgia O’Keeffe. Her mentor and husband, the famous photographer and art dealer Alfred Stieglitz, became romantically involved with a wealthy young married woman named Dorothy Norman. Even after O’Keeffe suffered a nervous breakdown over the stress of his infidelity, the love affair continued.

The nervous breakdown so incapacitated O’Keeffe that she did not pursue her art for almost two years. An essential part of her recovery was travel. She renewed her regular summer trips to Abiquiu, New Mexico but also went to Maine, Bermuda, and Hawai‘i. These trips took her away from her husband’s ongoing relationship with Norman and introduced her to fresh subject matter. In the late 1930s, more than one critic had written that they were getting tired of her Southwest images. O’Keeffe’s three-month sojourn in Hawai‘i was at the invitation of the New York advertising agency N.W. Ayer. Ayer executive Earl Thomas, who had arranged an honorary doctorate for O’Keeffe from William and Mary College in Virginia, sent the artist to Hawai‘i on the Matson oceanliner S.S. Lurline. The Ayer company had previously commissioned Charles Sheeler to photograph a Ford plant and Edward Steichen to photograph the oceanliner itself for Matson. Dole Company was the client that underwrote O’Keeffe’s expenses in exchange for a painting of a pineapple.

During her stay, O’Keeffe traveled around Oahu, Maui, and Hawai‘i. She painted landscapes in the Iao Valley, numerous flowers, including bella donna, hibiscus, plumeria, ginger and lotus, surreal pictures of fishhooks, and formations of black lava. These paintings were featured in the Academy’s 1990 exhibition Georgia O’Keeffe: Paintings in Hawai‘i.

While in Hawai‘i, O’Keeffe met many prominent local figures including Atherton Richards and Richard Pritzlaff, Hana Plantation manager Willis Jennings, and painter Robert Lee Eskridge, to whom she gave her paints when leaving the islands.

Photographs of O’Keeffe smiling broadly are evidence of her own assertion that she considered Hawai‘i one of the most beautiful and remarkable of places. When the Hawaiian paintings were exhibited at An American Place in 1940, her exhibition statement was no less emphatic:

If my painting is what I have to give back to the world for what the world gives to me, I may say that these paintings are what I have to give at present for what three months in Hawai‘i gave to me.”

(Above notecards from Honolulu Academy of Art Giftshop. They also have a print of one of her mountain scenes)

Hana Coast

.."Nobody sees a flower - really - it is so small it takes time - we haven't time - and to see takes time, like having a friend takes time..." Georgia O'Keefe
An Orchid Painting by Hawaii resident Kerrilyn Joy ,influenced by Georgia O'Keefe


A young local artist also influenced by Georgia O'Keefe (image from the local Newspaper)

Historical Information about Ms. O'Keefe taken from information about the 2006 exhibition on the Honolulu Academy of Art website. www.honoluluacademy.org/

Tuesday, June 19, 2007

Pineapple: Ananas comosus, Bromeliaceae

Hawaii and Pineapple -images inspired by the iconic pineapple fruit
Hawaiian Pineapple Quilt

Four Seasons Koele Lodge on the Island of Lanai, the Pineapple Island

Hawaiian Pineapple Quilt Pattern

Vintage sterling souvenir spoon
vintage pin
vintage pineapple cut bakelite brooch
vintage sterling souvenir spoon Hawaiian Quilt Pattern Jewelry
Vintage gelatin mold
vintage pineapple
Vintage milkglass vase

Vintage pin
Vintage lanternsGucci Pineapple Shoes!!
18k earrings La Zahav,Miami
In Chinese culture, wearing gold jewellery is believed to bring lots of good luck. And when the item includes auspicious symbols in the design, then the luck is multiplied. Wear an auspicious symbol in 18K gold to maximize your good fortune. These specially crafted gifts of gold make excellent statements of our love for those we care about.

In Chinese, the pineapple is known as "Wong Lei", which means "wealth luck comes to you".



Pineapple pendant,Maui designer
"Pineapple top" gold and pearl earrings
Nantucket basket with pineapple clasp
New England

Whalers would bring back pineapples to Nantucket on their return from the Pacific.

Pineapple chair
Cannery workers,Hawaii


Women Workers in Hawai‘i’s Pineapple Industry

Pineapple cannery foreladies dressed in their white uniforms

Foreladies at Hapco (Hawaiian Pineapple Company) cannery, ca. 1930. (Photo courtesy Mabel Kozuki.)

Hawai‘i’s pineapple industry, begun on a commercial scale in 1903, has historically been one of the largest employers of women.

“Because I got a chance to work for this company, my husband and I could support our children and educate them, and they are where they are now. I’m very thankful because it’s a honest-working job, good-paying job, too.” —Liiko Nouchi

Copyright 2002 © University of Hawaii at Manoa, College of Social Sciences


Water Tower
Pineapple workers
Dole Cannery,now a tourist spot
Ceiling medallion









several images from the wonderful blog www.peakofchic.com

loved the pineapple post!!!!
Pineapple cake

Vintage SHELL Necklaces








from private collection Palm Beach







from private collection in Palm Beach

Monday, June 18, 2007

INDOCHINE STYLE -VIETNAM

















































PAUA


Painting

Painting



Painting




Collecting the Paua which is protected under New Zealand Law


Soap

Kete
PAINTING
PAUA TILES







PAUA ART

Suzanne Wilson Jewelry-Design from the Heart


How can anyone not fall in love with this jewelry? This makes Poerava miss her days of working for T&Co. The designs are well thought out, and even more impressive, Ms. Wilson is generous enough to help children's charities.

Her work is available at www.swdjewelry.com
Her site is superb, and there is music too.


Also you can find several pieces at www.bellegray.com This shop is owned by the mulit-talented Lisa Rinna.




Beverly Hills jeweler, Suzanne Wilson, is one designer who knows the power of color. The former artist enjoys the punch it gives to jewelry and is accustomed to experimenting with pretty palettes in many of her designs. Among the pieces perfect for brides-to-be are ones that include pale gemstones like aquamarine, citrine and tourmaline as well as touches of vibrant jewels like rubies and coral.

“Color really brings jewelry to life because it adds something unexpected and interesting to any look,” says Wilson.

Certainly, Wilson’s collections include many lively pieces that have classic appeal as well as subtle hints of blue, yellow and pink. Some of the most striking designs finding their way onto the bridal aisle are her carved pear-shaped citrine ring enveloped in 18k white gold with pavé diamond detail, an amazing addition to any bride’s right hand; her 18k white gold Deco Drop earrings which include Ceylon sapphires, reminiscent of the 1920s and ideal for a bride who wants to integrate a trace of “something blue,”; and her eel skin Coral earrings, a dainty set of 18k white gold with a rich burst of color surrounded by a pavé diamond frame.


Her connection to jewelry began as a young girl when she found herself captivated with her charm bracelet. Today, her 10 year old business is a true testament to her talent and makes her an A-lister with super-star clients .

“When I create a piece of jewelry,” says Wilson, “I am designing from the heart


Sunday, June 17, 2007

ELISA JENSEN-PAINTINGS




Born in 1965 in Bridgeport, Connecticut, Elisa Jensen now lives and works in Brooklyn, New York. Recent major exhibitions of her work include a solo show Gallery 100 in Sarasota Springs, New York, and at the Royal Danish Consulate General in New York celebrating the Danish Chairmanship of the European Economic Union, as well as several group shows at the Yellow House Gallery in New York. Other institutions hosting exhibitions of Ms. Jensen's work include The von Liebig Art Ceter in Naples, Florida, the Morsø Kunstforening, a museum in Nykøbing Mors, Denmark, and the Washington Art Association in Connecticut. Ms. Jensen has been an artist in residence in the "World Views" program, in which a select group of painters worked at the top of the World Trade Center in New York, and at The International School of Art in Umbria, Italy. Ms. Jensen studied at Smith College, as well as at the New York Studio School, where she currently teaches painting


ART REVIEWS; Giving Wide Expression to the Aspects of Desire

Published: July 30, 2000


'Aspects of Desire'
Yellow House Works of Art, 422 First Street, Greenport. Through Aug. 6. (631) 477-8673.

Desire is a broad enough term to encompass the works in this show without implying that they are thematically related. If they share any common ground, the seven artists might agree that it is the territory reserved for passionate observers.

In Elisa Jensen's oils and Richard Orient's watercolors, experience of place becomes a generalized sensory phenomenon.

More important than actually locating oneself in time and space is the effort of trying to see and trying to feel where one is. Ms. Jensen stimulates perception by obscuring it behind or within veils of shadowy pigment through which distant light often glimmers like a promise of discovery.


.

POERAVA'S DEAR FRIEND ELISA IS LONG OVERDUE FOR A LUAU. HER IMPRESSIONS OF THE OCEAN ARE DREAMLIKE AND LIKE NO OTHER. I CHALLENGE HER TO COME TO HAWAII, AND CONFRONT THE BEAUTY OF THE PACIFIC OCEAN.







Polynesian Weaving-Tressage-Lauhala,Flax








Samoa

Hawaii Lauhalawalletpillow

fans
bracelets from Molokai



lauhala tree




The rare Hawaiian beauty of luahala weaving remains. The art of Lauhala hand weaving has been part of the Hawaiian culture for many generations. Hula Hana takes great care in providing you with some of Hawaii�s traditional products and a few modern styles, all from Hawaii's Big Island.
lauhala weaving beautiful basket
Lauhala Basket
Lauhala weaving is an old Hawaiian art. The Lauhala is obtained from the Pandanus, or Hala tree. The word �Lau� is the Hawaiian word leaf. The Hala tree has leaves that are long and ribbon-like, bordered with thorn like spikes, which are removed, following the removal of thorns, the leaves are washed dried in the sun and rolled into coils to be stored. The natural color of the Lauhala varies from a soft tan to a deep brown. The leaves vary greatly in size, the longest being over six feet in length and seven inches wide.



AOTEAROA-NEW AND OLDER STYLES OF WEAVING












TAHITI











Kingdom of Tonga

Hawaii-Brooklyn Art Connection





ALOHA ELVIS -BY JOHN MARC PECKHAM (IN PRIVATE COLLECTION)




ARTIST MARC PECKHAM!!!! to contact jpeckham@yahoo.comintroduced to Poerava by Mr. Todd Alan of NYC-

Saturday, June 16, 2007

New Zealand Gifts



ARTPORT at Auckland International Airport
Phone: +64 9 256 8087 | Fax: +64 9 256 8062 | Email:
artport@artport.co.nz









































Glossary

Aotearoa
New Zealand is a nation in the south-western Pacific Ocean. The country consists of three islands, the North Island, the South Island and smaller Stewart Island. The Maori name is Aotearoa, translated as the Land of the Long White Cloud. New Zealand is a democracy and a member of the British Commonwealth. Its indigenous people are the Maori who settled these shores some 1,000 years ago after their ancestors from the islands of Tahiti and Raiatea discovered this land during their extensive exploration of the Pacific. The Treaty of Waitangi is the founding document signed in 1840, between Maori and the British government.

Buzzy-Bee
Buzzy Bee, the cute wooden representation of the honey bee, which clicked and clacked its way behind many New Zealand youngsters through the 50's and 60's is enjoying a resurgence in popularity. Its attraction is iconic, that we all wish to possess one for ourselves or our children. This toy represents nostalgia for bygone days which in today's fast paced world is a reminder of life at its simple best.

Carvings
Ancient Maori depicted their lineage and history through carved relief work mostly on native timber such as totara, puriri, kauri and rimu. They decorated their dwellings, fortifications and canoes with carved images that typified its useage. For example, the wharenui or meeting house would feature intricately carved figures both inside and out, representing the tribal leaders of that iwi. During debate and important gatherings, homage and respect is paid to those ancestors while the young are taught to recognise who and where they came from.

Contemporary Maori artists
There are many renowned male and female Maori artists in the field of art, music, literature and dance. Maori artists like Robyn Kahukiwa, Rowina Ormond, Yazma Smith, Erenora Hetet, Emeraina Small and Jacqui Birch all work within a contemporary framework while retaining the old traditions passed down through the generations.

Dusky Dolphin
Common dolphin to NZ waters, often seen playing with tourist boats in Marlborough and Milford Sounds. Lagenorhynchus obscurus is a highly gregarious and acrobatic dolphin found in coastal waters in the Southern Hemisphere. It is short-to-medium in length in comparison with other species in the family. The back of the dolphin is dark grey and dorsal fin is distinctively two-toned - the leading edge matches the back in colour but the trailing edge is a much lighter grey white. Duskys have a long light grey patch on their foreside leading to a dark grey short beak. The throat and belly are white. There are two blazes of white colour running back on the body from the dorsal fin to the tail.

Double Twist
The double twist symbolises the entwining of a close friendship especially between two people over a long distance. The twist is usually carved from bone or pounamu but other materials such as pewter are used in contemporary carving.

Fantail
Known to Maori as Piwakawaka, fantails are attractive and seemingly friendly native birds as they dart about near human activity in pursuit of disturbed insects. The habit of fanning out their tails as they settle on a branch endears this small inquisitive bird to many.

Fern
The Fern, and especially the Silver Fern, has become a national symbol for New Zealand. Many of our sports teams wear the design proudly. The Maori "koru" design draws from the young fern koru, as it stretches and develops into the new fern leaf.

Flax
A common coastal and roadside plant in New Zealand, the flax or harakeke in Maori was used extensively for mats, containers, shoes and shelters, ropes, nets and even sweeteners of food. It has long strap-like leaves that can grow up to 3 metres tall and flowering pannicles that can be considerably taller. The orange-red flowers are pollinated by birds and develop into erect seed pods. Other smaller varieties of flax are also found.

Fish Hook
There are many varieties of the hei matau. The general meaning given for the fish hook, in many of its forms, are strength and determination. It is said to bring peace, prosperity and good luck to the wearer. It is also said to provide safe passage over the seas.

Gecko
A New Zealand lizard of which there are many varieties. Jewelled Gecko and Black-eyed Gecko are examples of these varieties. Geckos are not to be confused with the prehistoric native tuatara.

Hei-Tiki
According to Skinner the name was in two parts; hei meaning pendant as in hei matau: (fishhook) and tiki. Skinner explains that the word tiki in this sense has its common meaning of human form. In Maori culture it has high spiritual significance and is worn in remembrance of passed ancestors where the Tiki is often regarded as holding the power of the previous owners.

Kaka
The New Zealand brown or bush parrot(not to be confused with other native parrots such as the kakariki and kea). Native to this country it is found mostly in Stewart Island and the most southern parts of the South Island.

Kakapo
The Kakapo is New Zealand's only flightless Parrot. An endangered native, it is known for its nocturnal habit and breeds only once every 5 years.

Kauri Tree
Kauri trees are among the world's mightiest trees, growing to more than 50 metres tall, with trunk girths of up to 16 metres. They covered much of the top half of the North Island when the first people arrived around 1000 years ago. Maori used their timber for boat building, carving and housing and their gum for starting fires and chewing (after it had been soaked in water and mixed with the milk of the puha plant).

Kea
The Kea is a New Zealand native bird, an alpine Parrot known for its cheeky and destructive behaviour.

Kereru
The New Zealand native pigeon or kereru is a large bird with greyish green feathers on its back and head, and a smart white vest. The low-flying beat of its wings is a distinctive sound in our forests. The pigeon is found in most lowland native forests of the North and South Islands, Stewart Island and many of its neighbouring islands. It is endangered, therefore protected from game hunting and other predatory activity.

Kete
A kit or bag woven from the fresh leaves of the flax plant, which are then left to dry. A traditional Maori craft, kete can be made with intricate, decorative patterns and colours for special occasions, or sturdier plain ones for everyday household use.

Kina
New Zealand�s native kina or sea urchin is an important food source and culturally important for Maori. They are found on the rocky shores around New Zealand and sun-Antarctic Islands up to the depths of 50m.

Kiwi
The kiwi is a rare native and flightless bird found only in this country. The kiwi is the sole survivor of an ancient order of birds including the now extinct moas. It has no tail and tiny two inch wings which for all practical purposes, are useless. It is the only bird in the world which has nostrils at the end of its beak in order for it to detect its sole food source, worms of which there are 68 varieties. It can only be seen at night searching for its food. During the day it will hibernate. The kiwi is endangered made vulnerable through its inability to take flight from predators. Its only defence is the thick and strong legs it will use when faced with danger.

Koru
The fern frond represents new life, new beginnings, life unfolding, that everything is reborn and continues.

Kowhai
Kowhai is famous for its beautiful yellow or golden flowers, which appear in early spring. Their nectar is a favourite food for Tui and Kereru (wood pigeon). The pods which appear after flowering each contain six or more seeds. Unusually for New Zealand plants, some species of Kowhai are deciduous, losing their tiny, dull green leaves each winter. Some species also pass through a juvenile stage of densely tangled foliage (branches and leaves) for six to ten years before they start to flower, eventually growing into a small tree up to ten metres tall.

Manuka
New Zealand tea tree is the common name in New Zealand for Leptospermum scoparium known to Maori as Manuka. It was first called Tea Tree by the expedition of Captain James Cook who identified the plant and established its use when moored off the Purangi River in Mercury Bay in 1769.

Maori
Maori are the people who inhabited Aotearoa (New Zealand) before European colonisation and who currently comprise 15% of the population.

Maui
A demigod in Maori mythology who stood out amongst the gods as the one who fished up the North Island of Aotearoa with the help of his grandmother�s magic jawbone fashioned into a fish hook. Maui possessed special powers which enabled him to perform extraordinary feats such as the fishing up of the great fish. It is said in legend that the South Island became his canoe, and Stewart Island provided the anchor. The story is well known as Te Ika a Maui, the fish of Maui.

Moko
A traditional Maori tattoo. Ta Moko is the tapu (sacred) form of family and personal identification among those of Maori whakapapa (genealogy). Genealogy is so important to the Maori people that they know their family history back 2000 years. Moko is the process of carving (cutting deep grooves) and colouring a family history story-telling pattern into the skin of a Maori descendant.

New Zealand Landscape
Our spectacular landscape is the subject chosen by scores of local artists especially in the field of painting, printmaking and sculpture. For many visitors to these shores, native flora and fauna are remembered vividly. The mountains of the Southern Alps, the pohutukawa tree of warmer North Island, The native ferns, nikau and ponga, majestic kauri and rimu trees, rare kiwi, tuatara and the paua shell have endeared this country in the hearts and minds of travellers worldwide.

New Zealand Screenprints
Tony Ogle captures the magnificence of the New Zealand scenery in his screenprints. A local artist, Tony is a keen surfer who knows many of the popular tourist beaches and walks. Native bush reserves, coastal vegetation, rock formation and seashores are the hallmarks of this meticulous printmaker�s imagery.His pohutukawa forms and old baches capture an era of typical New Zealand holidaymaking history held dear in many Kiwi families.

Nikau
The Nikau is a palm tree native to New Zealand found as far south as Banks Peninsula, Greymouth and the Chatham Islands. It has the distinction of being the most southern naturally growing palm in the world.

Paua
Paua is a species of abalone (Haliotis Iris). It is only found in the sea around New Zealand. This marine mollusc eats seaweed and lives clinging to rocks at depths of 1-10 metres, normally along the shoreline. Paua Shell is the most colourful of all the abalone shells. Most other abalones are pale in comparison.

Pohutukawa
The magnificent Pohutukawa is well known for its spreading shape and beautiful red flowers in December and January. The flowers appear to be composed only of stamens, giving them their distinctive brush-like look. Slow growing, pohutukawa eventually reach 15-20 metres in height. Pohutukawa are very long lived, with leaves that are a dark greenish blue on top and white underneath. We affectionately know them as the New Zealand Christmas tree.

Pounamu
A beautiful New Zealand green stone. Maori value pounamu for its beauty and for its quality of holding a fine hard edge. Maori artisans fashioned pounamu into personal ornaments such as hei tiki, koru, mere and toki. There are more than eight main varieties of pounamu ranging from a dark green to the rare translucent apple green.

Pukeko
The Pukeko, or New Zealand Swamp Hen is a member of the rail family, and is similar to other species found all over the world. It is one of the few New Zealand native birds to have flourished since the arrival of man, and can be found in almost any grassland area, especially in swampy locations.

Rangitoto
Rangitoto Island is regarded as the gateway to Auckland. It is a volcanic cone, now extinct and seemingly symmetrical from all viewpoints, visible from most parts of the Hauraki Gulf. It erupted from the sea 800 years ago and is one of the newest islands in the gulf. It is an iconic landmark that can be climbed on guided tourist walks.

Sharing Basket
The sharing basket takes its name from a famous Maori proverb which symbolises the togetherness of people through the goodness life brings. It is through sharing knowledge, resources and experiences with others that life becomes enriched.

Toi iho
Toi iho is a registered trade mark designed and created by Maori artists and used to promote and sell authentic, quality Maori arts and crafts
The creation of the mark was facilitated by Te Waka Toi, the Maori arts board of Creative New Zealand, in consultation with Maori artists.

Tuatara
The tuatara is only found in New Zealand and is in danger of becoming extinct. Mistaken for a lizard, it is a reptile, one of the last remaining members of the ancient group of herbivore reptiles, Sphenodontia. Tuatara is a Maori word meaning "peaks on the back". The average lifespan is about 60 years, but they can live to be over 100 years.

Tui
Tui are endemic honeyeaters and are common throughout NZ forests and on off-shore islands. Tui are attractive birds, especially as the white tuft at the throat and a small white area on their wings, contrasts dramatically with their black colour, enhanced by a metallic blue-green sheen. They are competent songsters of the forest, highlighted with throaty renditions of spectacular note.

Weta
The native weta is a tree and cave dwelling insect which is found mostly in northern parts of New Zealand. It is handsome in appearance with black markings on its body and legs. It favours a habitat of fallen rotten natives and eats small insects, leaves, fungi, fruit and carrion. Weta are flightless, nocturnal and generally harmless unless threatened or disturbed.

Weaving
The art of weaving has spanned generations throughout man�s history. Weaving has always featured in the arts and crafts of Maori as a traditional activity amongst all levels of Maori societal structures. The woven article takes form in kitmaking, decoration of the body, clothing and furnishing important dwellings. History and genealogy is captured in patterns during the weaving process. For Maori, weaving an article meant many things. Apart from the useful aspect of a woven object, conservation of natural resources, the passing down of skill to the next generation, the recording of tribal history for the family, the upholding of mana or prestige in Maori society are the prime elements of the activity of weaving.

New Zealand art - come visit us at Artport and take the memory home with you.

ARTPORT at Auckland International Airport
Phone: +64 9 256 8087 | Fax: +64 9 256 8062 | Email: artport@artport.co.nz



Artport New Zealand Shop


Resin Hei Tiki pendants